Eric N. Mack’s work varies from sculpture and installation, to wall pieces and work on paper. His aesthetic involves a particular type of tactility and usage of common items, primarily those related to clothing. Readymade elements, such as garments, blankets, pegboards, magazine pages, and grommets, recompose and transmute via usage of mediums like acrylic paint, glitter, and dye. Mack’s visual language speaks through these materials, as well as through color and texture, optics and flux. His works flow and shift, alive with a spectrum of hues, irregular shapes, and poetic drama. References to the fashion industry and the figure impart a seductive quality and connect to identity, or a material fiction of desire and intention.
Eric N. Mack (b. 1987, Columbia, MD) lives and works in New York, NY. He received his BFA from The Cooper Union, New York, NY and his MFA from Yale University, New Haven, CT. In 2017, Mack was the recipient of the inaugural BALTIC Artists’ Award selected by artist Lorna Simpson and completed the Rauschenberg Residency in Captiva Island, Florida, FL and an artist-in-residency at Delfina Foundation in London, UK. Institutional solo exhibitions include Lemme walk across the room, Brooklyn Museum, NY (2019); the BALTIC Artists’ Award 2017, BALTIC Centre for Contemporary Art, Gateshead, UK (2017); and Eric Mack: Vogue Fabrics, Albright–Knox Art Gallery, Buffalo, NY (2017). Major group exhibitions include Whitney Biennial 2019, Whitney Museum of American Art, New York, NY, Ungestalt, Kunsthalle Basel, Basel, Switzerland (2017); In the Abstract, Massachusetts Museum of Contemporary Art, Massachusetts, MA (2017); Blue Black, Pulitzer Arts Foundation, St Louis, MO (2017); Making & Unmaking: An exhibition curated by Duro Olowu, Camden Arts Centre, London, UK (2016) and Greater New York 2015, MoMA PS1, Long Island City, NY (2015). Mack’s work is in the permanent collections of Albright-Knox Art Gallery; The Studio Museum in Harlem; and the Whitney Museum of American Art.